Unable to live without the piano, Agnes shed her name, habit, and life at the convent and fled. When the Mother Superior discovered what she was up to, she revoked Sister Cecilia's piano-playing privileges and locked up her music. She felt stripped down to her elemental form when she performed, and often orgasmed while doing so. The trouble was, however, that Sister Cecilia had a habit of playing the piano naked. She could not resist playing the piano, and fell in love with the music of Chopin. Roughly six months into her tenure at the convent, Sister Cecilia discovered an all-encompassing love for music. In 1910, Agnes DeWitt was living at the local convent as a nun, Sister Cecilia. The following summary adheres to a linear mode of explanation. The novel employs an atypical narrative structure, alternating between scenes from 1996 and those spanning the years from 1910 - 1962. Louise Erdrich's novel The Last Report on the Miracles at Little No Horse is written from the third person omniscient point of view and in the past tense. The Last Report on the Miracles at Little No Horse. The following version of this book was used to create the guide: Erdrich, Louise.
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